Etude for Clarinet (1996), 8 minutes, premiered by Tasha Dzubay, at Indiana University, 1996.

Etude for Guitar (1996), 4 minutes, premiered at Indiana University, 1996.

For Flute, Clarinet and Piano (1997), 10 minutes, premiered at CalArts, 1997

Para Cravo (For Harpsichord) (1998), 16 minutes, premiered at CalArts, 1998.

4 Pianos (1999) (four MIDI controlled pianos and computer), 10 minutes, premiered at CalArts, 1999.

For Four Instruments (2001) (Piccolo, Bass Clarinet, Xylophone and Piano), 13 minutes, premiered at UCSB, 2001.

4 Piano Solos (2002-06), 9 minutes, premiered by Jennifer Logan, Los Angeles, 2006.

Periodically Aperiodical – Aperiodically Periodical (flute, bass clarinet, violin, cello, piano), 10 minutes,

premiered at the Ojai Music Festival by the California Ear-Unit, 2002.

Three Etudes for Marimba (2003-05, revised 2007), 7 minutes.

Cellular Variations (2005), solo keyboard, 10 minutes, premiered by Jennifer Logan, Los Angeles, 2006.

String Quartet (2005), 10 minutes, (premiered in Plymouth, UK, Jan 2005), withdrawn for revision.

Piano Quartet (2005), 10 minutes, premiered by the Moscow Piano Quartet, XII CisterMusica, Portugal, 2005.

For Bass (2006), solo Double-Bass, 4 minutes, premiered by Joe Ferris, Tanglewood Music Center, 2006.

What Happens When Nobody’s Watching (2006), for three trombones, 4 minutes, premiered at the Tanglewood Music Center, 2006

Clarinet Quintet (2006, revised 2007), 11 minutes.

Three Movements for Clarinet and Piano (2006), 9 minutes,

premiered on 02/9/07 by Brian Pezzone, piano, William Powel, clarinet, Center for Portuguese Studies, UCSB

Three Movements for Solo Piano (2007), 11 minutes.

Imaginary Folk-Songs (2007), for flute and guitar, 20 minutes,

dedicated to David Gutkin, premiered September 15, 2007 David Gutkin (guitar), Eve Sussex (flute), New England Conservatory, Boston.

Six Pieces for Piano (2007), 10 minutes.

What Happens When Everybody’s Watching (2007), for three trombones, 4 minutes.

Points & Counter Points (2007), for full Orchestra, 10 minutes.

The Fact of the Matter as a Matter of Fact (2007), for Orchestra, 11 minutes, premiered by Orquestra do Algarve conducted by José Miguel Rodilla, Sagres (Portugal), Feb. 1 2008.

Recursions (2007), for solo flute, dedicated to Dorothy Stone, 11 minutes.

 

ELECTRONIC/COMPUTER WORKS

Animated Sound (2000), 3:45, premiered at the Los Angeles Sonic Odyssey, 2005.

Synthesis I: Solar Flare (2001), 13:13, for eight-channels, premiered at CREATE, 2001, revised 2006.

Granular Sketches (2001), 4:09, premiered at the Los Angeles Sonic Odyssey, 2005.

Spectral Counterpoint (2002), 13:24, premiered at Spectrum New Music Festival, 2003.

Radio Communications I and II (2003-05), 7:29, premiered at the Los Angeles Sonic Odyssey, 2004).

Rain Drops (2005), 3:16, premiered at the Los Angeles Sonic Odyssey, 2006.

Artificial Life I-III (2006-07), 10:26, premiered at Los Angeles Sonic Odyssey, 2007.

Artificial Life: The New Generation (2007), 19:20, premiered December 1 at Los Angeles Sonic Odyssey, 2007.

 

INCIDENTAL MUSIC

Scenes for Shakespeare's Anthony and Cleopatra (2006), written for the Shakespeare & Company, directed by Tina Parker, performed by New Fromm Players directed by Stefan Asbury, Osawa Hall, Tanglewood Music Center, MA, USA (2006).

 

FILM ORCHESTRATION

Cursed (2005), original music by Marco Beltrami and Tom Hiel.

Plumm Summer (2007), original music by Tom Hiel.

 

COMMERCIAL WORK

Trailer (graphics, and music) for LASO 2005.